18+ only · Fictional adult characters · A private, account-based studio
18+ only · Fictional adult characters · A private, account-based studio
Text-to-video and image-to-video starting from your stills. One movement per clip; cost by duration and resolution, printed before you set out.
Video is priced by duration and resolution. The exact credit cost is calculated on the job and shown before you confirm; failed jobs refund automatically.
Video is the longest and costliest crossing on any map here, so it is planned like one. The dependable order of exploration is stills first — a frame that is already on character and already judged — and then a single movement laid over it. For a scene that exists nowhere yet, a text brief can carry the same legend entry your stills use, so the woman in motion is recognisably the woman in the atlas. Pricing follows duration and resolution, is calculated on the job itself, and is printed in full before you confirm. A failed render refunds itself, like every failed crossing in this studio.
Image-to-video inherits the explorer, the outfit and the room from its first frame. It is the cheapest consistency on the whole map, and the calmest way to cross.
A turn toward the map light. A slow walk along the terrace. One movement, camera held steady. Choreography smears across frames; a single gesture renders clean and loops gracefully.
Decide where the clip will live before it is rendered. A feed teaser and a store piece are different territories, and rendering the maximum of everything is how exploration budgets quietly double.
The strongest frame of the week, given a few seconds of life to draw a viewer toward the full set.
One clean repeating gesture that reads at thumbnail size and survives platform compression.
Longer takes briefed from the same legend entry as the stills beside them, so nothing feels cast twice.
“She turns slowly toward the glowing map table and looks out across its lit zones, hair lifting a little in the evening air, camera still.”
One movement for the explorer, none for the camera. The first frame already decided everything else, so the brief only directs the motion.
“Fictional 35-year-old woman, long electric-violet hair in a loose bubble braid, ultraviolet velvet camisole set, crossing a neon-lit terrace above a city grid at night toward camera, unhurried, cinematic.”
The legend entry travels into the clip brief word for word, so the woman in motion is the woman in the stills.
| Lever | Effect on cost | Practice |
|---|---|---|
| Duration | Longer costs more | A teaser rarely needs more than a few seconds of road |
| Resolution | Higher costs more | Render at the destination’s measure; upscale a winner later |
| Retries | Each render is a job | Correct the brief or the first frame before setting out again |
By duration and resolution, calculated on the job and shown before you confirm it. Nothing is charged in the dark, and a failed render refunds automatically.
Image-to-video for series work, because the first frame carries the explorer with it. Text-to-video suits standalone scenes and first experiments in a new zone.
Yes, with two habits: start from series stills, and carry the legend entry into text briefs word for word.
Usually too much is asked of one crossing — several movements, a travelling camera, a crowded room. One movement, a steady camera and an uncluttered space is the pattern that holds.
No. Clips rest in your account until you publish or download them. Nothing is posted on your behalf.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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